I need to keep up with the features here on QFL247.com. I can only hold back the intense demand of the public for so long. This is the first (of many) of my feature “The Body Acoustic” in which I will review a recent album paired with an older, classic album.
First, Manu Chao – La Radiolina (2007)
Overview
La Radiolina is the third album from popular latin artist Manu Chao who is famous for his energy, political activism, flowing steady motifs throughout albums and across albums, mix of latin rhythmic dance and popular electronica/rock, and use of many languages, as many as 5 on an album. This album fulfills most of those tasks, with some significant, but not necessarily detrimental exceptions.
Strengths
Manu Chao’s music, this album included, is an eclectic and versatile sound that is good for relaxation or dancing. A lack of spanish and french by the listener is no problem, because even if the message is lost verbally, the feel is universal. The way in which songs melt from one to the other is hard to match, and the return of previous themes further in the album is once again effective and strong. In addition, the way in which language is melded, both intra- and inter-song is also unparalleled. This album, unlike past albums, has a more ‘rock’ feel, which makes it more diverse because the dance-like songs are still present intermixed with the rock songs. This mixing is done in multiple song blocks, with one or more songs along the same vein grouped.
The political messages, speaking out for the common man against oppression, especially oppression cause by US hands, is more blatant and just as powerful, if not more powerful than in past albums. However, the general upbeat silliness and experimentation with non-musical sounds is still vibrantly present.
Easily, the strongest song is track 7, “Me Llaman Calle,” (‘they call me the street’ or ‘my name is the street’). The classic Spanish-Calypso timbre gives a dramatic ‘gypsy’ feel to the song, and the hardships, sadness, and suffering of the women in the song is all around you as you hear it. There is a reason this one the Latin Grammy for song of the year.
Weaknesses
The strongest weakness to the album may also be a strength; the more rock/punk overtones that have been added by definition disrupt the dancing-ambient-hypnotic groove of the album. Certainly, this can be seen as addition by subtraction. The flow of the past two albums were possibly their greatest strength. The (relative) lack of flow is, therefore, noticeable. Now, just to make things clear, the flow is still strong in this album, and there are a large contingent of concept albums which would kill for the flow of this album, but the standards have been set quite high by previous work.
In addition, I would say that there is no ‘great’ song on this album. There is no “Me Gustas Tu,” “Denia,” or “Minha Galera.” “Me Llaman Calle” approaches this, but it is not the great song that you see in other albums. The punk is also new to Manu Chao, and it shows; the punk songs seem a little repetitive over the course of the album.
Grade
B-
I did not have as much problem with the slightly-lower flow than some may have, but the album is still not as good as the previous two. It is still a very good listen, but I can not say that it will be as inspirational and moving as the past albums have been.
Lastly, Moxy Früvous – Bargainville (1994)
Overview
I can say, without any qualms, that this is probably the best album that you have never heard-ever. To those of you that I have played this for, consider yourselves lucky, because not only is it hard to come by, but it is hard to buy. In fact, most stores will not have it. I bought my copy at Amoeba – Berkeley. I was introduced to them by a former floormate at Dykstra 4 at UCLA.
Moxy Fruvous is from Canada, and their music is best described as comedic politically-charged folkish a cappella. The only people I have met that know of them before I met them are Ian (the floormate, originally from Wisconsin) and an officemate at U Mt (who did his ugrad at Calgary). Despite this, there are a few songs that many will find familiar: King of Spain, My Baby Loves a Bunch of Authors, and/or their cover of the Spiderman theme.
Strength
Where to start? First of all, the voices in this band are out of this country, I mean, world. The harmony that they produce can only be topped by the beach boys, in my mind. Queen, the beatles, boys II men can take a seat. It is that good and complex.
Unlike the beach boys (or many other vocally-orientated groups), whose instrumentation is lacking, these guys can put together a song. It is not going to floor you, but a group like this is not supposed to come up with the instrumentation and melodies that they do in this album. The songs are sophisticated, and yet, can be sung along to almost immediately-a very rare combination.
They are funny! The songs are silly, have funny lines, and yet it is not really a distraction.
Lyrically, they are clever and very intelligent. I only now get a majority of their references and meanings. A short list of some words and lines used:
-’Bout a time before pinstripe suits, dippers, grits, and tories
-Private investment efficiency, cool fiscal plannin’
-Lost his faith immaculate when cupid became a villian
-Banished her for life he did, right then and there, from the premises/Once Holy Virgin Queen, now on the scene, his nemesis
I’ll stop there.. after the first three songs.
There is real message in these songs that today, more than ever, are poignant. For a Canadian band, there is a lot of anti-Republican sentiment.
If I had to pick a favorite song, it would be “River Valley,” the first track, which is about pollution and environmentalism and arguably has the most pleasant harmony. “Stuck in the 90′s” is a scathing anti-conservative ballad. “My Baby Loves a Bunch of Authors” is a song referencing a long list of contemporary authors. It would make more sense to me if I read, but it is still a catchy, lively song with very rich harmony. “The Drinking Song” is, like it says, a drinking song about loss and regret. The chanted mantra could be etched into your mind forever:’And the band played on/As the helicopters whirred/Drunk on the lawn in a nuclear dawn/My senses finally blurred.’ “Morphée” is a wonderful, gentle, peaceful song entirely in French. “King of Spain” is possibly their best and most famous song, about a person who pulls a prince-and-pauper switch in Spain. It is such a happy and enriching song, you can’t help but smile when you listen to it. “Darlington Darling” is a great working-man’s ballad about what could be. “Spiderman” is a refreshing look at a theme song that we all know, but with more phrases like ‘octoped ingenue’ like only these guys can do it. Last, and not even close to least, is “Gulf War Song,” and old-fashioned, completely a cappella, protest tune out of the sixties. As you may guess, it is just as applicable today as it was in the early 90s.
Weaknesses
Not much to say. Some of the songs (Video Bargainville) are a little too silly for my taste. If you are of the mindset that serious=good in music, this might not be for you. One of the biggest flaws of this album is it’s somewhat a one-hit-wonder. I have listened to other albums by them: much less creative and interesting in both harmony and song writing. Some of the tracks are not gems, but are not poor. These can make the album a little tiresome, but the absolutely fabulous songs that surround them make the entire album an easy listen. Some of the songs are certainly dated, with references to Clinton, Yeltsin, and VHS.
Grade
A
This is not the perfect album, but only a very stubborn or heartless music fan could turn this album away. If is fun, certainly constantly entertaining, and unlike anything else you will hear. Please, for your own sake, get this album if you see it, burn it off me when you see me, or order it from Amazon. You will not regret it.
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